Das Schöne an der Fotografie sind die vielfältigen Möglichkeiten. Zum einen gibt’s eine nicht endende Anzahl an Motiven. Zum anderen haben wir eine große Breite technischer Hilfsmittel. Die Optik, mit der dieses Foto entstanden ist, war ursprünglich auch nicht für den Gebrauch an der Fotokamera gedacht. Sie ist eine Kameralinse der Fa. Ross, London aus […]Vintage-Makro-Fotografie ♥ ♥ ♥ Vintage-Macro-Photography — Mit Text und Bildern bilden
I started scuba diving in 1987, it was difficult I’m claustrophobic taking extra classes to handle the thought of breathing underwater. I was fortunate to log over a hundred dives in ten years.
A panic attack while shore diving almost drowning two people, this was the start of my Maui vacation. This is not my idea of fun any time, it was scary. I kept taking off my face mask, not breathing thru the regulator and pushing my dive buddy under water. Once on land, I would not take off the wet suit, kept laying on the ground and would not get in the car. That was my last dive, devastating but if I can’t dive again there are so many great memories and photos.
The early evening was much better, walking thru the Gallery District, sampling the wine, talking to the artist. It was so relaxing as the sun fell. I started talking to a gallery owner about his most recent works of art. I followed him inside and saw THE painting was perfect, I could see eating at the table, drinking wine smelling the beautiful flowers. This was my first original painting and I love it as much today. Interestingly he is the nephew of Gene Stallings American Football player and coach.
“Two Plums” c1997 G1/399
Cindy Knoke has traveled the world, to the most unusual off the beaten path places you can imagine. Her photography is a window to the world. I ask Cindy a few questions to learn her photography background and how she plans for her extraordinary trips.
At what age did you pick up your first camera? Did the world look different thru the lens?
My first camera was a silly Swinger Polaroid camera which I got at around age 6. It had a jingle associated with it which I loved and remember verbatim today, “Meet the Swinger. Polaroid Swinger. Only 19 dollars and 95! Swing it up. It says Yes! Take the shot. Rip it off.” This was the essence of my photographic knowledge!! Laughing……. Here’s the jingle starring Ali McGraw:
I had family members growing up who were talented photographers but I never even thought to be one of them and never had any cameras. In adulthood, my husband, Jim, was our photographer and had good cameras. I used to buy those throw away cheap plastic cameras at drugstores for trips since I liked taking different photos than he did.
When we retired, we started dedicated chunks of travel time. Jim looked at my photos from the cheap camera, compared them to his, said, that I had something “special,” and gave me his camera a Canon, and showed me the basics on how to work it. That was my introduction to photography and it has been a serious joy in my life ever since. Jim is the person who encouraged and guided me to it for which I remain very grateful. He still encourages me to this day. I am not a trained photographer by any means, definitely self-taught and a hobbyist, not a professional.
What type of camera and software do you use now?
I use two cameras a Sony HX400 and a Sony RX10 V. I use the 400 the most due to its variable zoom up to 1200mm equivalent. I also have a Sony underwater camera which I hope will have a chance to use during our upcoming trip to the Cook Islands.
What software package do you use for editing?
I use Sony Play Memories Home and Windows Photos.
How do you get access to the amazing Cathedral’s and the intricacies of others visited?
We use the internet extensively. We research online before we go, and while we are traveling. Whilst traveling research for each specific locale is key to finding unusual places. Blogs are excellent travel resources leading us to interesting out of the way places. Travel is so much more fun when you plan a trip according to your particular interests, and internet resources allow everyone to do this!
Thank you, bloggers!! Your posts improve my travel, and my life too, of course! Bloggers Rock!
You can’t miss Cindy’s blog cindyknoke.wordpress.com. You won’t forget the great places she’s been.
Have a great day,
Documentary photographer Isadora Kosofsky’s intimate photographs take us into the private world of three senior citizens caught in a complex relationship that defies traditional ideas around old age and romance.Photo gallery: Poignant images of a late-in-life love triangle — ideas.ted.com
We all know that we all are suffering through COVID19 epidemic. This epidemic situation affected all the businesses, all human being, killing people every day and must say almost everything. Day by day we are suffering through this very badly and where no positive hopes are visible easily because No COVID vaccination is launched positively […]When client under-estimate you? — Prasenjeet Gautam Photography Blogs
Right on Michigan Avenue a short walk from the water you will find a small but mighty museum in the Art Institute Chicago. I had the privilege of spending a day taking in the museum at a lazy pace.
Here are some of the highlights of the museum’s history along with some of my favorites pieces of work.
Located in downtown Chicago, the Art Institute is one of the world’s great art museums, housing a collection that spans centuries and the globe.
The Art Institute of Chicago collects, preserves, and interprets works of art of the highest quality, representing the world’s diverse artistic traditions, for the inspiration and education of the public and in accordance with our profession’s highest ethical standards and practices.
The Art Institute of Chicago was founded as both a museum and school for the fine arts in 1879, a critical era in the history of Chicago as civic energies were devoted to rebuilding the metropolis that had been destroyed by the Great Fire of 1871. The Art Institute found its permanent home in 1893, when it moved into a building constructed on what is recognized today as the traditional homelands of the Council of Three Fires—the Ojibwe, Odawa, and Potawatomi peoples. Built jointly with the city of Chicago for the World’s Columbian Exposition at the intersection of Michigan Avenue and Adams Street, that building—its entry flanked by the two famous bronze lions—remains the “front door” of the museum even today.
In keeping with the academic origins of the institution, a research library was constructed in 1901; eight major expansions for gallery and administrative space have followed, with the latest being the Modern Wing, which opened in 2009. The permanent collection has grown from plaster casts to nearly 300,000 works of art in fields ranging from Chinese bronzes to contemporary design and from textiles to installation art. Together, the School of the Art Institute of Chicago and the museum of the Art Institute of Chicago are now internationally recognized as two of the leading fine-arts institutions in the United States.
There so many masterpieces here it’s hard to narrow down my favorites but here are a few.
White Shell with Red, 1938Georgia O’Keeffe
The photos of the artwork weren’t working well so please click on the links to view these great pieces.
I would highly recommend a trip to Chicago to see the museum, take in all the great food, architecture, and the Frank Lloyd Wright Museum. There are also some beautiful cathedrals to attend.
A short train ride outside of Paris you will find The Palace Versailles Chateau Rive Gauche. This is a must see, the experience is like no other. The museum compares to the top museums in Paris. The gardens are magnificent and perfectly manicured, beautiful waterfall statues are strategically placed. This is before you enter The Palace. Enjoy! Melinda
Discover the Estate
The Palace of Versailles, whose origins date back to the seventeenth century, was successively a hunting lodge, a seat of power and , from the nineteenth century , a museum. With the gardens and the Palaces of Trianon, the park of the Château de Versailles spreads over 800 hectares.
« It’s not a palace, it’s an entire city. Superb in its size, superb in its matter.»
With 60,000 artworks, collections of Versailles illustrate 5 centuries of French History. This set reflects the dual vocation of the Palace once inhabited by the sovereigns and then a museum dedicated “to all the glories of France” inaugurated by Louis-Philippe in 1837.
Water features of all kinds are an important part of French gardens, even more so than plant designs and groves. At Versailles, they include waterfalls in some of the groves, spurts of water in the fountains, and the calm surface of the water reflecting the sky and sun in the Water Parterre or the Grand Canal.
Visitors looking through the central window in the Hall of Mirrors will see the Grande Perspective stretching away towards the horizon from the Water Parterre. This unique east-west perspective originally dates from before the reign of Louis XIV, but it was developed and extended by the gardener André Le Nôtre, who widened the Royal Way and dug the Grand Canal.
In 1661 Louis XIV entrusted André Le Nôtre with the creation and renovation of the gardens of Versailles, which he considered just as important as the Palace. Work on the gardens was started at the same time as the work on the palace and lasted for 40 or so years. During this time André Le Nôtre collaborated with the likes of Jean-Baptiste Colbert, Superintendant of Buildings to the King from 1664 to 1683, who managed the project, and Charles Le Brun, who was made First Painter to the King in January 1664 and provided the drawings for a large number of the statues and fountains. Last but not least, each project was reviewed by the King himself, who was keen to see “every detail”. Not long after, the architect Jules Hardouin-Mansart, having been made First Architect to the King and Superintendant of Buildings, built the Orangery and simplified the outlines of the Park, in particular by modifying or opening up some of the groves.
These two large rectangular pools reflect the sun’s rays and light up the outside wall of the Hall of Mirrors. Le Nôtre considered light as an element of decoration in the same way as plant life, and his designs combined a harmonious balance of light and shade.
The Gallery of Great Battles is the largest room in the Palace (120 metres long and 13 metres wide). It covers almost the entire first floor of the South Wing. It was designed in 1833 and construction started the same year. It was solemnly inaugurated on 10 June 1837, constituting the highlight of the visit of the Museum of the History of France.
The Hall of Mirrors, the most famous room in the Palace, was built to replace a large terrace designed by the architect Louis Le Vau, which opened onto the garden. The terrace originally stood between the King’s Apartments to the north and the Queen’s to the south, but was awkward and above all exposed to bad weather, and it was not long before the decision was made to demolish it. Le Vau’s successor, Jules Hardouin-Mansart, produced a more suitable design that replaced the terrace with a large gallery. Work started in 1678 and ended in 1684.
This prestigious series of seven rooms were parade apartments, used for hosting the sovereign’s official acts. For this reason, it was bedecked with lavish Italian-style decoration, much admired by the king at the time, composed of marble panelling and painted ceilings. During the day, the State Apartments were open to all who wished to see the king and the royal family passing through on their way to the chapel. During the reign of Louis XIV, evening gatherings were held here several times a week.
coffre à bijoux de marie-antoinette
If you have the chance to visit London do yourself a huge favor and schedule at least two days at the British Museum. The museum has pieces from around the world including the Parthenon, where else can you find relics from the ancient world. I did not get the chance to see the Chinese section of the museum and hear it is extensive.
Founded in 1753, the British Museum is London’s largest and most visited museum. Its gigantic permanent collection includes over 8 million historical artifacts, with everything from Egyptian mummies to Roman treasures. Highlights include sculptures from the Parthenon, the Rosetta Stone, and the 12th-century Lewis chessmen.
The Basics Allow at least two hours for a British Museum tour, but don’t expect to see everything in one visit—it would take days to explore the entire museum and it’s easy to get lost. With so much to see, visiting with a tour guide is a convenient choice, and a small-group or private guided tour will ensure you maximize your time. Things to Know Before You Go There is no admission fee for the British Museum, although donations are welcome. Visitors are required to pass security checks to enter, and large bags and suitcases are prohibited. On-site facilities include museum shops, cafés, and restaurants. Free Wi-Fi is available throughout the museum. Audio guides are offered in several languages. The British Museum is fully wheelchair accessible.
Read more about The 10 Best British Museum Tours & Tickets 2019 – London | Viator – https://www.viator.com/London-attractions/British-Museum/d737-a1388?mcid=56757
The Museum’s collection online offers everyone unparalleled access to objects in the collection. This innovative database is one of the earliest and most extensive online museum search platforms in the world.
There are currently 2,335,338 records available, which represent more than 4,000,000 objects. 1,018,471 records have one or more images.
Free exhibitions and displays
Until 12 November 2019
Until 12 January 2020
Until 12 January 2020
Special morning tours
Necessity as the mother of invention: Photos of homes in unexpected places
Oct 16, 2013 /
Iwan Baan is not as interested in what architects build as he is in the beautiful ways that people appropriate the spaces once the planners are gone. In his TED Talk, Baan — whose breathtaking image of lower Manhattan after Hurricane Sandy hangs on at least one of our walls — shows incredible images from communities thriving in ways that seem quite opposite to the uniformity of suburbs. First, Baan takes us to Chandigarh, India, where people inhabit buildings created by modernist architects Le Corbusier in very different ways than expected. Then, Baan takes us to Caracas, Venezuela, where an abandoned 45-story building has become a miniature city. From there, Baan takes us to a Nigerian slum built on water, to a community in Cairo thriving amid recycling heaps, and to an underground village in China.
Baan’s talk will have you marveling at human ingenuity. In it, the photographer shows 154 images. Since they appear rapid-fire, Baan has selected some to share here, where you can take your time and appreciate the details.
See the homes of 70% of Caracas’ residents
In Caracas, the capital of Venezuela, nearly seventy percent of the population lives in slums that seem to drape over every corner of the city.
Welcome to the world’s largest vertical slum
In the centre of the city is the Torre David, a forty-five story unfinished office tower that was in the midst of construction until the developer died in 1993, and the crash of the Venezuelan economy the following year. About eight years ago, people started moving in to the abandoned construction site, and today it is considered the world’s largest vertical slum.
The forty-five-story walk up
With no lifts or escalators, the tower is essentially a forty-five-story walk up. You’ll find seniors or those less physically-abled on the lower floors, and the young and healthy near the top. Public spaces like this stairwell are painted with care in order to make the tower feel more like an apartment building.
The hole in the wall. Or, how to build airflow into a tower
With the average temperature in Caracas reaching twenty-eight degrees, the inhabitants needed to find ways to induce airflow, and this also serves as a circulation system to help inhabitants better navigate the building.
It’s humble but it’s home
In an exercise of ingenuity, inhabitants like this family typically mark their space with whatever materials they can find or purchase. Here, newspaper becomes wallpaper.
Decorated with care
Every home in the tower is designed with love and passion – at least up until as far as one can reach.
A town in a tower
The tower functions on an entire system of micro-economies, and on each floor, you’ll find a collection of shops and services. You’ll find the church, the grocery store as well as the gym on the thirtieth floor, where all of the weights are made from the unused elevator equipment.
A space for creativity
Like a beehive, the tower provides a skeleton framework for each inhabitant to create something for himself or herself by whatever means they can afford.
A community built on a lagoon
In the centre of Lagos is Makoko – a community of approximately one hundred and fifty thousand who live and work on stilted structures, just meters above the Lagos Lagoon.
Human adaptability in Makoko
Makoko is both an example of Nigeria’s seemingly irrepressible population growth, and an incredible illustration of our human ability to adapt to seemingly inhospitable conditions.
Life on the water
From the barbershop to the movie theatre, every aspect of life in Makoko has been adapted to meet the demands of life on the water.
Floating, live music
Despite being a highly disadvantaged community, when it comes to good live music, the atmosphere in Makoko is quintessentially Nigerian. At any given time, you’ll find a band floating down the lagoon, for all of the community to enjoy.
A community fighting eviction
In Makoko, forced evictions are a daily reality. In response to the government’s plan to clear out the area to make room for development, the Nigerian Architect, Kunle Adeyemi built a school for the children of Makoko. Today, the entire community uses the structure, and the building appears like a beacon against the landscape.
Meet the Zabaleen
Under the cliffs of the Mokattam Rocks one will find the Zabaleen – a community of Coptic Christians who make their living by collecting and recycling waste from homes and business across Cairo.
Those who take trash home
The collected waste is brought back home where it is sorted and crushed before being sent off to a third party. To those in the Zabaleen, the waste becomes nearly invisible, as living amongst piles of garbage is merely a new definition of normal.
A wild sense of decor
On the street level, the area seems to be in complete disarray, but step inside one of the homes, and you’ll be met with all manner of elaborate interior design choices.
Homes dug into the earth
In the provinces of Shanxi, Henan and Gansu you will find collections of yadongs – underground cave dwellings that are dug out from the soft and malleable Loess Plateau soil. Up until the early 2000’s an estimated forty-million people still lived in sunken courtyard houses which sit seven meters below-ground.
Home is wear the heart is
For the poor farmers, building a yadong costs next to nothing – all one needs is a shovel and a few friends to dig the soil.
All photos courtesy of Iwan Baan.
If you love the Impressionist period art, the d’Orsay has the largest collection of masterpieces in the world. It’s a travelers delight. The architecture of the building, an old train station, is worth the trip alone. The Left Bank has a completely different vibe than the Right Bank. The crowd is younger, it’s more affordable and less Rodeo Drive. I stayed in a small family run hotel, quaint, friendly and close to many attractions. Just blocks from Norte Dame, now sadly what’s left of Notre Dame.
The Musée d’Orsay (French pronunciation: [myze dɔʁsɛ]) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d’Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of impressionist and post-Impressionist masterpieces in the world, by painters including Monet, Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and Van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum’s opening in 1986. It is one of the largest art museums in Europe. Musée d’Orsay had 3.177 million visitors in 2017.
The museum building was originally a railway station, Gare d’Orsay, constructed for the Chemin de Fer de Paris à Orléansand finished in time for the 1900 Exposition Universelle to the design of three architects: Lucien Magne, Émile Bénard and Victor Laloux. It was the terminus for the railways of southwestern France until 1939.
By 1939 the station’s short platforms had become unsuitable for the longer trains that had come to be used for mainline services. After 1939 it was used for suburban services and part of it became a mailing centre during World War II. It was then used as a set for several films, such as Kafka‘s The Trial adapted by Orson Welles, and as a haven for the Renaud–Barrault Theatre Company and for auctioneers, while the Hôtel Drouot was being rebuilt.
In 1970, permission was granted to demolish the station but Jacques Duhamel, Minister for Cultural Affairs, ruled against plans to build a new hotel in its stead. The station was put on the supplementary list of Historic Monuments and finally listed in 1978. The suggestion to turn the station into a museum came from the Directorate of the Museum of France. The idea was to build a museum that would bridge the gap between the Louvre and the National Museum of Modern Art at the Georges Pompidou Centre. The plan was accepted by Georges Pompidou and a study was commissioned in 1974. In 1978, a competition was organized to design the new museum. ACT Architecture, a team of three young architects (Pierre Colboc, Renaud Bardon and Jean-Paul Philippon), were awarded the contract which involved creating 20,000 square metres (220,000 sq ft) of new floorspace on four floors. The construction work was carried out by Bouygues. In 1981, the Italian architect Gae Aulenti was chosen to design the interior including the internal arrangement, decoration, furniture and fittings of the museum. Finally in July 1986, the museum was ready to receive its exhibits. It took 6 months to install the 2000 or so paintings, 600 sculptures and other works. The museum officially opened in December 1986 by then-president François Mitterrand.